A: How are music and fashion connected in your creative process?
T: I think in terms of, like, music and fashion, it's quite cool sometimes to make kind of a Persona. I feel like I can, yeah, move around in a kind of different character than I would
normally be, which is kind of fun. I also found that, like, the crazier I look or, like, the more different I look from everyday life, it also brings me freedom to be there. I think a lot of DJs, especially old school DJs, they, like, don't move a lot around. Like, we're super co. We're having fun, we're dancing. It just, like, gives this extra energy.

A: How did you start playing together?
T: Me and Ras, we had another DJ thing going on, but we didn't really make music and we wanted to try to go abroad and play some music. So we started. We needed to start producing. And the only guy that we knew who was producing and was really good at it was Bryn. We formed a project, Tripolism, and he was selling houses. At that point, you were working at a brewery? I was working as a journalist. It was like, during COVID it was supposed to be. We were like, we're playing next year abroad. And he said, it's going to take five years, guys, and then we're going to be there, like, I think almost
at the day, five years after, we're standing in Thessaloniki in Greece, having our first gig.

A: What is your message to someone dreaming of getting into the music business?
T: That's a good one. I think they should really, really want it because it can take time and it takes time to perfect the art of producing, finding your sound. I think there are going to be a lot of obstacles on the way. So it's very important that they really want it and they are prepared to be broke as get a normal job first. That's what we did. Sell houses if you want to make music. House music. We also consider doing it because they love it and not because they want to pursue a career as being like superstars.