Natalia Brilli operates by diversion, fascinated by the object as an entity, which she uses as a starting point considered more like a “ready-made” in the sense proposed by Marcel Duchamp. Generally using a wrapping technique from the 1930’s-1940’s, she hides the matrix under a thin layer of leather thus provoking a distancing of reality in front of its representation. This wrapping technique which plays on a formal mimesis is fed by numerous monochromes allowing the object to conquer once again the spectrum of the sensible.